The Patsy

 

The Patsy

The Patsy
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Editorial
Description

In THE PATSY, after a star comedian dies his handlers are resolved to find a replacement to take the deceased star's place so their gravy train will continue. They decide to hire a total unknown and find the ultimate Patsy in hotel bellboy Stanley Belt. After realizing that Stanley can't do anything right, the team begins to think they've made a mistake, but the television show's air date approaches and it's too late to hire someone else.


a great technicolor Jerry Lewis movie from 1964
Review date: 2010-05-01 Rating: 10 out of 10

Jerry's movies took the same path as Elvis movies - downhill, becoming less ambitious and relying on a formula that was way past the expiration date - they are only tolerable because of their stars - and usually only tolerable to the biggest of fans - "The Patsy" is an example - if you love Jerry then you will love this - this is my favorite Jerry - 1960s surf/beatles era Jerry - his movies took on a surreal tone in the 1960s - the colors, the abstract sets, the silent visual gags - very staged, very artificial and very cinematic - even the smaller scale ones like "The Patsy" - Jerry and company could deliver a lot with very little coin - great stuff - required film school viewing


Reviews


Jerry "descends" to show industry
Review date: 2006-03-17 Rating: 10 out of 10

A devastating satire of show business. Jerry plays Stanley, an innocent bellboy manipulated by a team of moneymakers from show business who try to "push" him to replace a recent deceased star comedian. Lewis dismounts in this very calculated comedy the hidden interests and vanities of show industry with his characteristic mocking comicity and destructive, many times surreal, humour. John Carradine, Peter Lorre and George Raft, in another funny cameo ( see " The ladies man ), join Lewis in this one, his fifth film as director.

Widescreen edition.


Jerry Lewis Manipulated, Again
Review date: 2005-06-09 Rating: 6 out of 10

When a star comedian dies his team decides to replace him. Jerry Lewis is the fortunate, or unfortunate, victim. We see the team, which includes Ellen Betz (Ina Balin), Harry Silver (Keenan Wynn), Morgan Heywood (Peter Lorre), and Bruce Alden (John Carradine), among others, attempt to transform Stanley Belt (Lewis) from a bumbling bellboy to a comedian.

There is a tie-in to another Lewis movie. In 1960 Lewis starred in "The Bellboy," where he played Stanley. However, I thought that the bellboy in the earlier movie was much more confident and capable than the bellboy in this later movie.

There are portions of this movie that I thought were funny. There were even portions that I found touching. However, in comparison to many of Jerry Lewis's other movie; I thought this movie was less funny. Sometimes the attempts at humor fell flat for me. However, I will also note that this movie is quite popular with fans of Jerry Lewis.

If you like only some of Jerry Lewis's movies, you may find this one too tedious to be enjoyable. If you are a fan of Jerry Lewis, likely you will find this movie to be humorous. However, Jerry Lewis had many other films that were better and funnier.


The Patsy is certainly one of Lewis' best efforts!
Review date: 2004-08-15 Rating: 10 out of 10

If you like the humor of Jerry Lewis when it comes to spoofing the entertainment world then this is the VHS to own in your collection. Personally I thought it was one of his best efforts with his years with Paramount. A great cast of Hollywood's past is featured in this 40 year old comedy. It's a rollicking look at creating a big time wannabe from Lewis' own perspective. Enjoy!

Thoughtful, reflexive and funny
Review date: 2004-05-29 Rating: 10 out of 10

The Patsy, Lewis' fifth film as a director and one of his best, can be considered as a semi-sequel to both The Bellboy (his first) and The Errand Boy (his third). Like its two predecessors, it features a confrontation between a complete outsider (always played by Lewis) and a lavish, illusionistic and mercantile milieu. As in all of his films, the interplay between 'Lewis the artist' (a natural performer whose inventiveness knows no bounds) and 'Lewis the star' (has more swagger, aggressiveness and self-confidence but far less freedom) is central here. It takes place in a single character (named Stanley as in The Bellboy) whose road to stardom is as unexpected and multi-layered as Morty's was in The Errand Boy. In many ways, the artist-star conflict is resolved in the postmodern conclusion: Lewis' choice to equal Stanley with himself - and The Patsy's world with 'reality' - implies that the true star-artist is finally made possible. Some of the movie's set pieces - Stanley's first appearance, the singing lesson, the silent flashback, the failed stand-up performance - are among the most effective of Lewis' filmography, seamlessly weaving together the sophisticated and the grotesque. A very impressive film from an underrated filmmaker.

Product Details/Specifications


Actor(s):
John Carradine
Norman Alden
Jack Albertson
Ina Balin
Hans Conried

Recording label: Paramount
Manufacturer: Paramount
EAN: 9780792193296
Binding: DVD
ISBN: 0792193296
Format: Color, DVD, Widescreen, NTSC,
Release date: 2004-10-12
Universal product code (UPC): 097360632248
Number of discs: 1
Aspect ratio: 1.85:1
Audience rating: NR (Not Rated)
Region code: 1
Running time: 101 minutes
Theatrical release date: 1964-08-12
Language: English (Unknown)
Language: English (Subtitled)
Language: Spanish (Subtitled)
Language: English (Original Language)
Brand: Paramount

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